欧美剧 · 2022 · 美国
导演：贝瑞特·奈鲁利,伊恩·B·麦克唐纳,布朗温·休斯
主演：查理·汉纳姆 舒巴姆·沙拉夫 艾丽卡·基尔贝 费萨尔·巴齐 卢克·帕斯夸尼洛 安东尼娅·德斯普拉特 阿利·汗 萨贾雅·达什古普塔 文森特·佩雷斯 大卫·菲尔德 亚历山大·希迪格 加布丽埃尔·沙尔尼茨基 埃勒姆·埃哈斯 蕾切尔·卡马特 马修·约瑟夫 希夫·帕莱卡 亚伦·格伦尼 拉迪卡·艾普特 伊斯梅尔·巴希 迈克尔·M·福斯特 Mel Odedra Rahel Romahn Monica Kumar
该剧改编自格里高利·大卫·罗伯茨2003年的同名畅销小说，讲述银行抢匪Lin Ford（查理·汉纳姆 饰）自澳洲越狱后逃往印度孟买，一场救赎之旅就此开启。 Shantaram在印地语代表“和平之人”。
恐怖片 · 2022 · 美国
导演：飞莲,Maggie,Levin,泰勒·麦金泰尔,约翰内斯·罗伯茨,约瑟夫·温特,Vanessa,Winter
主演：Kim Abunuwara Duncan Anderson Kyle Bales 维罗娜·布鲁 Archelaus Crisanto Rolando Davila-Beltran Dashiell Derrickson Tybee Diskin Brittany Gandy Isabelle Hahn Jackson Kelly 杰西·拉图雷特 泰勒·洛夫顿 Melissa Macedo 凯利·米
设定在1999年，以伪纪录片形式，聚焦那些看似普通、欢乐的家庭录像带中发现的可怕事件和“鬼影”。
恐怖片 · 1995 · 美国
导演：James,D.R.,Hickox
主演：Daniel Cerny 朗·迈伦德兹 吉姆·梅茨勒 Nancy Lee Grahn Mari Morrow
美国内布拉斯加州的玉米田，有位农夫厄尔给奇某日突然暴毙，他的儿子书亚和养子埃利于是被送芝加哥市的波特夫妇家中寄养。这一对农家兄弟开始在大都市上学，书亚很快便适应了新环境，并交了个女友玛莉亚，但埃利却开始影响他的同学，使所有的同学被他洗脑。很快地，举凡对埃利造成阻碍的成人，包括波特太太和校长诺伦神父，相继暴毙身亡，在一片混乱中，唯一保持清醒的只有书亚，他看清了埃利的狰狞面目，并在埃利想利用一种特别的玉米征服世界之前出面阻止，他能否制服这恶魔化身的弟弟？
恐怖片 · 1958 · 美国
导演：Edward,L.,Cahn
主演：Marshall Thompson Shirley Patterson Kim Spalding
Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
恐怖片 · 2022 · 美国
导演：安德鲁·山姆斯
主演：丽贝卡·豪尔 蒂姆·罗斯 格蕾丝·考夫曼 迈克尔·埃斯佩尔 Angela Wong Carbone Josh Drennen 罗丝玛丽·霍华德 Winsome Brown Jaime Zevallos Owen Johnson Jackson Finnegan Zarra Kaahn Mick Coleman 帕特里克·克莱因 Bradley Lewis
讲述玛格丽特(豪尔)过着成功而有序的生活，完美地平衡了她繁忙的事业和作为单身母亲对极度独立的女儿艾比的照顾。直到大卫(罗斯)出现，她的过去开始困扰她，精心计划的生活发生了更黑暗的转变，玛格丽特不得不直面她逃避了20年的怪物，来终结他们之间的恩怨。