恐怖片 · 2017 · 加拿大
导演:Michael,Melski
主演:苏珊娜·克莱蒙 艾伦·霍科 Shelley Thompson Géza Kovács Lee J. Campbell Martha Irving Rena Kossatz Glenn Lefchak Lesley Smith
本片受到《黄油盒婴儿》真实故事的启发,是一部曲折的超自然惊悚片,也是向《闪灵》、《罗丝玛丽的婴儿》、《9号谋杀案》等经典慢热恐怖片的致敬。影片讲述了一对夫妇为了给妻子庆祝生日来到一个乡村酒店度周末,但这个酒店其实是一个闹鬼的孕产妇家庭所开,有婴儿和母亲在此被谋杀。由此这对夫妻遇到了一系列惊悚的事情。影片主演阵容强大,由戛纳影后苏珊娜·克莱门特领衔主演。
剧情片 · 1948 · 其它
导演:Radványi,Géza
主演:Artúr Somlay Miklós Gábor Zsuzsa Bánki
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
剧情片 · 2006 · 其它
导演:乔治·巴勒菲
主演:查巴·策勒 格雷戈里·特罗萨尼 马克·比肖夫 斯蒂芬·吉利斯萨 皮洛斯卡·莫尔纳 Gábor Máté Géza Hegedüs D. Zoltán Koppány 艾尔文·莱德 Adél Stanczel Lajos Parti Nagy János Gyuriska
本片用风格化的手法展现了匈牙利三代人的怪诞故事。丑陋的士兵马洛戈瓦尼(Csaba Czene 饰)每日在长官的责骂中进行机械精确的繁琐工作,他那被压抑的生命只能通过炙烤自己身体和偷窥时自渎来缓解,某夜他将猪的尸体看做肥硕的女人,一夜癫狂之后被长官枪杀;大胃王比赛的选手巴拉托尼(Gergely Trócsányi 饰)承担在社会主义国家比赛中为国争光的重任,他呕出的比赛用食品却是国民平日所无福消受的美食;巴拉托尼与一名女子竞吃选手体格消瘦异常的儿子靠制作动物标本为生,儿子不堪照顾肥硕臃肿的父亲,致使巴拉托尼身亡,儿子回到家里,将父亲和自己做成了标本…… 本片获2006年特兰西瓦尼亚国际电影节最佳导演奖等多项褒奖。
欧美剧 · 2019 · 美国
导演:亚历山大·布鲁诺,瑞斯·托马斯
主演:弗莱德·阿米森 海伦·米伦 凯特·布兰切特 欧文·威尔逊 宗毓华 迈克尔·基顿 约翰·木兰尼 塔兰·基拉姆 鲍比·莫尼汉 保拉·佩尔 妮卡尔·扎德甘 娜塔莎·雷昂 István Fazekas Géza Schramek 格林·特鲁曼
An American institution returns February 20 at 11 PM on IFC. Hosted by Helen Mirren and featuring performances from Fred Armisen, Cate Blanchett, Owen Wilson, Connie Chung, Michael Keaton, John Mulaney, Taran Killam, Bobby Moynihan, Paula Pell, & more.
喜剧片 · 2018 · 美国
导演:肖恩·斯尼德尔
主演:马修·布罗德里克 莎拉·杰斯·奥斯特尔 娜塔莉·卡特 马塞林·休格特 安德鲁·基南-博尔格 斯蒂芬妮·库尔特祖巴 伊莎贝尔·菲利普斯 安妮·比萨比亚 珍妮特·萨诺 Géza Röhrig Sammy Voit Bern Cohen Linda Frieser 本·哈默 Leo Heller Jill Marie Lawrence Larry Owens
薩謬爾是一位住在紐約上城,因妻子的驟逝而煩悶不已的哈西德猶太教領唱,擔憂她的身軀會腐爛而感到心神不寧因此想從他的宗教中尋求慰藉。一位當地社區大學生物學教授秘密地與亞伯特發展夥伴關係的同時,他們兩位踏上如同黑暗漫畫般的旅程以及頻繁地接觸死後世界。
纪录片 · 2020 · 美国
导演:邦尼·科恩,乔恩·申克
主演:Maggie Nichols Gina Nichols John Nichols Steve Berta Marisa Kwiatkowski Mark Alesia Rachael Denhollander Jessica Howard Jamie Dantzscher John Manly Tim Evans Jennifer Sey Géza Poszar Tracee Talavera M
《吹哨人:美国体操队性侵丑闻追踪》跟随《印第安纳波利斯星报》记者的脚步,调查全国最著名的奥运机构之一,美国体操协会的性侵指控。两年后,一名奥运会的医生锒铛入狱,美国国会开始追责,数百名事件亲历者纷纷发声。 这部令人既震惊又振奋的影片揭露了精英体操界残酷的潜规则,同时记录了向机构抗争的律师,以及最重要的 — 那些拒绝保持沉默的勇敢吹哨人。他们与体制抗争,并取得了胜利。